Wittgenstein

1993

Biography / Comedy / Drama

52
IMDb Rating 6.9 10 1,886

Synopsis


Downloaded 6,464 times
May 19, 2019

Director

Cast

Karl Johnson as Ariel, an airy spirit
Michael Gough as Uncle Alexander Yorke
Tilda Swinton as Zelda Winston
720p.BLU 1080p.BLU
615.28 MB
1280*720
English
NR
23.976 fps
72 min
P/S N/A / N/A
1.15 GB
1920×1080
English
NR
23.976 fps
72 min
P/S N/A / N/A

Movie Reviews

Reviewed by eyetothescreen 7 / 10 / 10

Wittgenstein--worth a second look

I must disagree with other assessments of Jarman's "Wittgenstein." While the film is clearly not for Wittgenstein initiates (a bit of reading about the man is probably helpful before viewing), I can't class it as the rather boring, trivial exercise in biography others seem to feel it is. Jarman's films are always so contentiously received(which is a good thing), so all I can do is offer my own reception of it. First, while biographical details are somewhat slight, I think there are enough to frame at least a gist of the man Wittgenstein, and second, I must disagree that the exploration of Wittgenstein's sexuality is trivial or inconsequential. Biographically, Wittgenstein's sexuality troubled him greatly. Cinematically, I don't think it's irrelevant to follow a scene of Wittgenstein vainly attempting to explain his philosophy to students and colleagues, an effort which leaves him visibly upset and isolated, his back to the camera and his audience, with a scene of him at the movies, breaking his icy, rigid posture and his earlier-expressed desire that his companion and student, Johnny, not spoil the plot of the movie by distracting him with questions, to deliberately end his isolation and grasp Johnny's hand. Yes, Jarman's portrait of Wittgenstein is not of an attractive or really likable man, and Wittgenstein doesn't seem to have actually been one, so his abrasiveness in the film is not disagreeable for me, much as the abrasiveness of Gauguin in "Lust for Life" isn't. As for Jarman's allegedly un-daring cinematography, I'm no cinematographer, but Jarman seems to have favored dark backgrounds, long scenes and theatrical stagings in other films, and sometimes manages to produce interesting and subtle arrangements thereby. Perhaps his work on "Wittgenstein" was impacted by his encroaching blindness, though I wouldn't suggest writing off the high or low points of the film as the result of his visual impairment. Finally, "Wittgenstein" seems to me like a film deserving of a second viewing. Perhaps it's rather pretentious, perhaps it's a little harsh. Perhaps, though, it's also attempting to make some subtle and not-so-subtle commentary on what's important in a life, how that ought to be presented, and from what perspectives.

Reviewed by Andy-296 1 / 10 / 10

Mannerist biopic of Wittgenstein is not very deep but is not heavy either

British filmmaker Derek Jarman's penultimate film consists basically on literate deadpan tableaux dealing with the life of Austrian philosopher Ludwig Wittgenstein (1889-1951). The late Jarman, who was known for making gay-themed experimental movies, filmed the whole of Wittgenstein in a indoor stage, as a series of mannerist vignettes. If you want to watch this movie to know about Wittgenstein's theories, don't bother. These are dealt superficially and perfunctorily, while emphasis is made on his homosexuality. This movie is not very deep, but is not very heavy either, I think this was a bit of frivolous exercise on the part of Jarman but it is also lighthearted and quite entertaining.

Reviewed by maardal 1 / 10 / 10

Don't waste your time

Don't waste your time on this film. Some films are so bad they are fun. This is just so bad it's boring. From a Wittgenstein scholarship perspective, it doesn't get worse than this. It's a mix of rumors, inaccuracies, falsities and "fun-facts" that lack all respect for its subject. Since Terry Eagleton and the other writers have chosen to give the story what I'd imagine they will call a "subjective" or "personal" slant, you wold expect them to at least make it fun! No such luck. Here what's wrong: 1. Andrew Lloyd Webber costumes. 2. Every eccentricity is exaggerated. 3. Horrible actors. 4. Wittgenstein was afraid of being misunderstood and only create a jargon self-proclaimed disciples would propagate. This film is what he had nightmares about. 5. Wittgenstein lived at a time when categories like "homosexual" weren't as firm as today. This films premise that "he was gay and therefore weird and a great philosopher" shows lack of respect. 6.It's a case study of why psychologising your subject leads to disaster. 7. They made an interesting person into a fraternity joke. And, no. It's not bad in an interesting way. Do you're self a favour. Really.

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