The Fabulous Baker Boys


Drama / Music / Romance

Rotten Tomatoes Critics - Certified Fresh 96%
Rotten Tomatoes Audience - Upright 69%
IMDb Rating 6.8 10 19,995


Downloaded 30,172 times
April 11, 2019



Jeff Bridges as Burt Vickerman
Jennifer Tilly as Cindy Figler
Michelle Pfeiffer as Suzie Q
720p.BLU 1080p.BLU
813.66 MB
23.976 fps
114 min
P/S N/A / N/A
1.64 GB
23.976 fps
114 min
P/S N/A / N/A

Movie Reviews

Reviewed by blanche-2 9 / 10 / 10

A singer changes a brothers' music team and their relationship

Jeff Bridges and Beau Bridges are "The Fabulous Baker Boys" in this 1989 film also starring Michelle Pfeiffer. The Baker Boys have been playing dual pianos on the lounge circuit for years, with Frank (Beau) acting as the booking manager and accountant. When the bookings dry up, the brothers decide to hire a singer. She's Susie Diamond, a gorgeous blond with a sultry voice and sexy appearance that gives the Baker Boys the pizazz that they need to pick up better gigs and more of them. Of course, one can't wait for the handsome, quietly intense Jack (Jeff) and Susie to give into their sexual chemistry, despite Frank's warnings that Jack's hit and run technique will not work with a teammate. When Frank is called away on a family emergency, more than sex happens. Ultimately Susie's bluntness and ability to see a situation for what it is makes Jack realize he hates the act, hates the way his brother handles it, and hates himself for not pursuing work as a jazz musician. Someone wrote that the plot is thin - not really. The sibling dynamics are real, pent up, and the product of years of lip-biting, Jack becoming more and more introverted and Frank more desperate to work so he can support his family. It takes an outsider to bring tempers to a boil. The film is very well done, with great music throughout, including some very hot singing by Pfeiffer. The highlight of the movie is Pfeiffer rolling around on the piano as she sings to Jack. She's really at the height of her beauty and can compare favorably to any Hollywood goddess of the past. Her performance as a street-wise singer who's had it tough is excellent, right down to the chewing gum and the crystal jewelry. Beau Bridges is perfectly cast. He plays a working musician for whom music is a job - and yet he's proud of the act, insistent on having "Feelings" in every show they do, and likes songs like "Bali Hai." Then we come to Jeff Bridges, certainly one of the sexiest men to ever come down the pike - tall and handsome, he is the essence of true jazz musician here - passionate on the piano, cool, loving the night life and the attendant bad habits of drinking and smoking. He's all tied up in his inability to break free of his brother, and it's expressed in every non-expression, every puff of his cigarette. He's fantastic. Another reviewer on this site stated that non-musicians probably can't understand Jack's frustration about the music. It's true, I'm a trained musician and related to his crisis immediately. But I think many people are in jobs they don't like, many people have a book they never finished because the kids came along - I think this is a very appealing story. I remember this film getting a big build-up when it was released, but many people on IMDb feel it's underrated. I didn't realize it was, but if it is, it shouldn't be. What a movie - a strange kind of a love story for sure, between a man and his music, but a love story nevertheless.

Reviewed by peripatitis-33392 10 / 10 / 10

It doesn't water down after a couple of viewings.

Some films are like that. It is not as if this is a masterpiece but perhaps there is some truth within the film, the acting or the relationships between the actors? Who knows.. But i do feel that films that one can revisit, even if there is nothing new to see but somehow touch you deserve a lot more than an 6.8.

Reviewed by winstonfg 10 / 10 / 10

6.8? Are you kidding me?

This is one of my favourite movies of the 80's: A sophisticated, adult story in the 'Funny Girl' mould, about relationships and suffocation, growth, change, and moving on, leisurely and wittily told with barely a false note or step, except perhaps a slight tendency to tug at the heartstrings; and one of the best endings I can remember. And boy, is there a lot of smoking; literal and figurative. The Bridges make a great ensemble, and Michelle Pfeiffer has never been more radiant (as well as proving she has a great set of pipes), and the score and cinematography are sumptuous. And along the way it introduced me to the work of Dave Grusin and Lee Ritenour and, by proxy, artists like David Benoit and Diane Schuur. Good as they are, you can keep your Shinings and Platoons and Raiders. For me they are a class behind this film, which rightly belongs in the running with Blade Runner, Raging Bull and The Color Purple for movie of the decade.

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