Room at the Top

1959

Drama / Romance

162
IMDb Rating 7.6 10 4,405

Synopsis


Downloaded 9,999 times
June 8, 2019

Director

Cast

Hermione Baddeley as Elspeth
Prunella Scales as Council Office Worker
Simone Signoret as Alice Aisgill
720p.BLU 1080p.BLU
986.5 MB
1280*720
English
NR
23.976 fps
115 min
P/S N/A / N/A
1.86 GB
1920×1080
English
NR
23.976 fps
115 min
P/S N/A / N/A

Movie Reviews

Reviewed by totalwonder 10 / 10 / 10

Signoret, smoking

Loneliness and longing in this extraordinary, ageless masterpiece. The film is dominated by the phenomenal Simone Signoret and I got dizzy looking at her beautifully complicated face. Laurence Harvey's petulance works wonders here and Jack Clayton, the director, orchestrates a soap opera for the thinking man. Everythings rings true even the most unbelievable details. The older woman syndrome is so masterfully captured here that, at times, you want to look away because the truth in Signoret's eyes is piercing as she sexily smokes her cigarette blowing the smoke right at us. I'm just rambling I know, my intention is to wet your appetite. Another extra bonus is the superb performance by Hermione Baddely, renamed by Noel Coward as Miss Gooddely. A total must!

Reviewed by drednm 9 / 10 / 10

Simone Signoret Is Magnificent

This film hasn't lost any of its bitter bite since it debuted in 1959. Laurence Harvey plays an ambitious young man who leaves a squalid industrial town somewhere in England for a good job in a nicer city. He immediately makes friends in the office and joins an amateur theater group when he learns that a pretty rich girl (Heather Sears) is a member. He also meets an older French woman (Simone Signoret) who is also a member. He starts an affair with the older woman while he blatantly pursues the rich girl, much to the dismay of her parents. Her father is a coarse but self-made man; the mother is a snooty society woman. The girl has a sort of boyfriend who constantly uses his wealthy upbringing and schooling to put Harvey "in his place." Even in post-World War II England, the "class system" is very evident. Harvey's attempts at being upwardly mobile are constantly shot down. The girl is sent to France in an attempt to get her away from Harvey, and he falls into a torrid affair with Signoret. But he cannot get the girl (and her money) out of his head. Months go by before he runs into the girl and renews his pursuit. Of course she gets pregnant and the family relents, rushing her into marriage, an act that has bitter and surprising consequences for all involved. Signoret won the best-actress Oscar (and just about every acting award that year) for her work here and she is magnificent. She is worldly and sad yet is not about to accept her fate. Harvey (Oscar nominated) gives his best performance as the blatant social climber. His "angry young man" is at once despicable and sympathetic. Sears scores as the naïve young woman who tries to balance her life and her parents' wishes. Hermione Baddeley (also Oscar nominated) has a great scene toward the end of the film. She plays Signoret's friend, the one who enables their affair by lending them her apartment. Donald Wolfit is excellent as the girl's father. Ambrosine Phillpotts is good as the mother. Donald Houston, Raymond Huntley, Wilfrid Lawson, Beatrice Varley, and April Olrich are all good in smaller roles.

Reviewed by Handlinghandel 9 / 10 / 10

Signoret's Performance Is Unforgettable

This is a superb movie. The plot is reminiscent of "An American Tragedy." But it takes place in England, and the hero is very much an Angry Young Man. Nevertheless, it is so beautifully written and directed it feels as fresh and new as if the such issues had never before been touched in movies. Laurence Harvey, whom I'm generally not crazy about, is superb as the lower-class guy determined to make it big. He sets his sights on the boss's daughter, appealingly played by Heather Sears. But something happens to sidetrack him. And that something -- Simone Signoret -- is the main reason to see and to cherish "Room At The Top." She is very believable as the slightly shady older woman with whom he has a romance. And her eyes! Her eyes, suggesting wisdom and great depths of sadness, will break you heart. It seems like a simple performance and it is uncluttered, stark. But it is flawless. I can think of almost no other performance by a woman in an English-language movie that compares to Signoret's.

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