My Name Is Julia Ross

1945

Crime / Drama / Film-Noir

158
Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 67%
IMDb Rating 7.1 10 1,371

Synopsis


Downloaded 10,403 times
March 31, 2019

Cast

George Macready as Narration
Nina Foch as Julia Ross
720p.BLU 1080p.BLU
531.33 MB
1280*720
English
NR
23.976 fps
65 min
P/S N/A / N/A
1.02 GB
1920×1080
English
NR
23.976 fps
65 min
P/S N/A / N/A

Movie Reviews

Reviewed by bmacv 8 / 10 / 10

Swift, scary update on the "Had I But Known..." theme

A toothsome little potboiler whose 65-minute length doesn't seem a second too short, My Name is Julia Ross harks back to an English tradition of things not being what they seem -- Hitchcock's The Lady Vanishes is one example. Out-of-work Julia Ross (Nina Foch) finds a dream job at a new employment agency in London, whose sinister representative seems very anxious to ascertain if she has living relatives or a boyfriend. After reporting to duty, she wakes up (Having Been Drugged) in a vast Manderley-like pile on the Cornish coast, supposedly as the barmy-in-the-crumpet wife of George Macready, who displays an alarming interest in knives and ice picks. His doting, enabling mum is the irresistible Dame May Whitty (this time a model of bustling efficiency on the other side of good-vs-evil than she occupied in The Lady Vanishes). The nightmare vision of this tale unfolds claustrophobically; we know what's going on but are powerless to tell poor Julia. This movie, curiously, is regularly accorded a place of honor as one of the earliest (and very few British) films noirs. I think it's closer to the Gothic old-dark-house tradition than the American one of wet cobblestones and urban corruption; it does, however, evince a more modern, psychoanalytic cast of mind. Whatever you call it, it remains a sharply satisfying thriller.

Reviewed by samhill5215 8 / 10 / 10

Unexpected pleasure

Having watched this film strictly on the strength of reviewers' ratings I was most pleasantly surprised. Although clearly low-budget, it bears the signs of clever ingenuity. For example, when Julia wakes in the strange house and looks out the window I found myself thinking that her sense of isolation would be enhanced with an exterior shot focused on her face and then moving backwards to include the house and its isolated location. And lo and behold! the next scene was exactly that last shot of the house standing lonely on the cliff at the water's edge. There are other examples of how a clever director can elevate his film to the level of a very enjoyable thriller. Savvy viewers will surely spot them but should rest assured they will not be disappointed. As to the performances, George Macready is his usual creepy self, barely maintaining his composure while suggesting a capacity for unadulterated violence. Nina Foch was surprisingly good as the no-nonsense working girl who's not about to submit without a fight. But Dame May Witty, oh boy, she even had me doubting my own eyes and believing she could get away with her evil schemes. This a real diamond in the rough and not to be missed.

Reviewed by moonspinner55 8 / 10 / 10

Quickie feature from Columbia is taut but very brief...

Second-feature concerns a young woman in London desperate for a job, happy to accept live-in secretarial position with an elderly woman and her son. Thrillers about people being held in a house against their will always make me a little uneasy--I end up feeling like a prisoner too--but this rather classy B-film is neither lurid nor claustrophobic. It's far-fetched and unlikely, but not uninteresting, and our heroine (Nina Foch) is quick on her feet. Rehashing this in 1986 (as "Dead Of Winter") proved not to be wise, as the plot-elements are not of the modern-day. "Julia Ross" is extremely compact (too short at 65 minutes!) but it stays the course nicely until a too-rushed climax, which feels a little sloppy. *** from ****

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