It Came from Outer Space

1953

Horror / Sci-Fi

189
IMDb Rating 6.6 10 7,375

Synopsis


Downloaded 8,585 times
May 18, 2019

Director

Cast

Barbara Rush as Ellen Fields
Richard Carlson as David Reed
Russell Johnson as Dr. Steve Carlson
720p.BLU 1080p.BLU
686.71 MB
1280*720
English
NR
23.976 fps
81 min
P/S N/A / N/A
1.29 GB
1920×1080
English
NR
23.976 fps
81 min
P/S N/A / N/A

Movie Reviews

Reviewed by krydor2002 8 / 10 / 10

Great then and still great

I just saw "It Came from Outer Space" on DVD today. The last time I saw it was in 1954 in a small town theaters on the Saskatchewan prairies. I was ten years old at the time and my world did not extend a hundred mile radius. I still remember that film until today. Beautiful Barbara Rush, calm, cool,intelligent Richard Carlson. Joe Sawyer could have been one of my neighbors. Full of suspense, intrigue, and mild fear, this movie was indeed a classic. Not knowing what the "It" looked like added to the mystery and wonder. Surprisingly no one was ever seriously hurt. Wearing those 3_D glasses and watching those rocks coming at you was pretty cool in those days. I was glad to see it again and relive those 50 years that have gone by.

Reviewed by twanurit 7 / 10 / 10

Holds Up Well

This is director Jack Arnold's first science-fiction effort and one of the earliest to use a desert setting. Richard Carlson is very believable as an astronomer who, along with his fiancee, witnesses a meteor crash-landing that turns out to be a spacecraft. No one in the small town believes him until they start disappearing. Arnold uses theremin music to great effect, the photography is eerie, dialog (by Ray Bradbury) poetic, and the alien a terrifying large crawling mass with one bulging eye that leaves a snail-like trail in its path. The aliens are not bent on destruction - an interesting precursor to Steven Spielberg's expensive "Close Encounters of the Third Kind" (1977)- even its main titles are at the End. This is low-key, intelligent, satisfying drama. Co-starring are Barbara Rush (she's a babe), Russell Johnson (likewise), Charles Drake, Joe Sawyer, Kathleen Hughes (who's tantalizing in a cameo).

Reviewed by silverscreen888 7 / 10 / 10

Sci-Fit Thriller With Style, Good Acting and a Thoughtful Script

This modest science fiction film from Ray Bradbury's short story "The Meteor" is perhaps the most-imitated film in the history of cinema.. The screenplay for this feature was written by Harry Essex, with direction by veteran action-film expert Jack Arnold. It is set on the edge of the desert, and involves in its storyline the crash of a mysterious meteor. Investigating it, a scientist living nearby discovers it is an alien spacecraft; he glimpses an ugly amoeboid creature like an octopus with a giant eye. Its next efforts cause a landslide which hides the spacecraft under a landslide, so no one else can see what he saw. The next development, when no one believes him, is that local people, law-enforcement and others, start acting like zombies; his wife believes him, but when the folk start coming into town he knows he needs to do something. Heading to the site again, he contacts the alien minds who tell him they only wish to escape Earth, where they do not belong. He gives them the help they require and the ship takes off the next day, heading home and leaving hi,m, and us, with a genuine mystery and an important question about parochial attitudes and out fitness to extend man's reach into the Galaxy when this urge has not been conquered. The production in B/W is a very good one for a "B" film, I assert., Joan St. Eigger did the hairstyles, Rosemary Odell the costumes, Russell A. Gausman and Ruby R. Levitt the sets, with Bud Westmore handling the unusual makeup challenges. The very fine art direction was done by Bernard Herzbrun and Robert A. Boyle, with luminous cinematography by Clifford Stine. In the solid cast are Richard Carlson, Barbara Rush, Charles Drake as the Sheriff, Joe Sawyer, Russell Johnson and Kathleen Hughes. it is arguable that Richard Carlson talks too much about the mysteries of the desert in this film, as n allegory for the dangers of the unknown, the wild, the as-yet-untamed--for space itself; but the dialogue is good-enough, the situations genuinely eerie and the style of the film, its crisis and its and pacing far-above-the-expected. In lesser hands, this production could have been less effective; this has become a classic example of how to handle several sci-fi situations. It earns the stature of being fundamentally scary; yet it is also thoughtful and interesting at the same time, by my standards. This is sci-fi noir of a very high sort.

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