Full Metal Jacket

1987

Drama / War

300
Rotten Tomatoes Critics - Certified Fresh 94%
Rotten Tomatoes Audience - Upright 94%
IMDb Rating 8.3 10 601,361

Synopsis


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April 14, 2019

Cast

Adam Baldwin as Sam Barnes
R. Lee Ermey as Gny. Sgt. Hartman
Stanley Kubrick as Man in Mansion Interior
Vincent D'Onofrio as Hathaway
720p.BLU 1080p.BLU
750.66 MB
1280*720
English
NR
23.976 fps
116 min
P/S N/A / N/A
1.85 GB
1920×1080
English
NR
23.976 fps
116 min
P/S N/A / N/A

Movie Reviews

Reviewed by jamtin1 10 / 10 / 10

Compelling from the first time the shaver bites

Goddamn you Stanley Kubrick. For me Clockwork Orange set the standard a long time ago for cinematic perfection; FMJ just raises the bar. Sitting around with bored in-laws I quietly slipped this into the DVD player, 20 minutes later conversation has ceased and everybody is absorbed. Predictable Kubrick really, stunningly lit, musical soundtrack that is oh-so-right, and the cinematography -Jesusmotherofmary. Ten years before anybody had thought of picking up a movie camera and running with it, Kubrick had perfected the technique. War is hell? -it sure looks a vision of hell. Stunning in every way.

Reviewed by Lechuguilla 9 / 10 / 10

Paint It Black

"With flowers and my love both never to come back ... It's not easy facing up when your whole world is black". So sings the man whose throbbing song marks the film's end, merciless lyrics to describe thematically a story that is as wrenching as it is mesmerizing. There are no villains in this film, only heroic victims. The villains are all off-screen, comfy behind mahogany desks, or dressed for success and giving shrill speeches about how maintaining peace requires war. Strange logic. First it's boot camp, a dreary prospect at best, for an ordinary group of young American men. Here, a sadistic drill Sargent, in colorful language, barks out orders and insults straight from Hades. It's do or die, almost literally, for our greenhorns. It's an ordeal of blackness from which some may never recover. Still, the grunts learn a valuable lesson; namely, that life is mostly physical, not mental. It's a lesson some ivory tower college professors never learn. But then it's on to an even blacker black ... Vietnam. Combat scenes are rendered believable by effective visuals and terrific sound effects: pounding percussion, amplified sounds of equipment and footsteps across explosive debris, and an always present, ever-so-subtle ... echo. Potent and torturous, these scenes convey a Zen-like immediacy, an impending sense of doom. And then at film's end, those lyrics ... Composed of two, barely overlapping, parts, the script's structure is a bit unorthodox. But the film works, owing to an intensity that never lets up. R. Lee Ermey is of course terrific as the harsh drillmaster. Casting of the young lions is okay, though a tad weak in one or two cases. Insertion of pop songs of the era works well, to amplify the cultural disconnect between a war-torn Vietnam and an indifferent America. Like reading a history book, watching an occasional war movie is good for the soul. It puts one's problems in perspective. For that reason, this particular war movie is better than most. It's riveting, intense. And the sense of impending blackness hovers ever present over the story's heroic victims, like the sword of Damocles.

Reviewed by Alan Benfield Jr (alanbenfieldjr) 9 / 10 / 10

Full Metal Jacket 30 years later

Strange, as I sat to watch Full Metal Jacket for the first time in years, what I remembered most was Lee Emery's Sgt Hartman's rantings and Vincent D'Onofrio. In fact, it was Vincent D'Onofrio's Pvt Lawrence, known as "Gomer Pyle" that made this Stanley Kubrick film, truly memorable. I'm noticing this more and more as I get older and revisit old films. The performances, certain performances, even in supporting roles allow a film to keep growing with the passing of time. Full Metal Jacket a shattering film or I should say, two shattering films. The first part, the training, the intro is a masterpiece practically impossible to match up, so, the second part doesn't match it. But, still. A film-experience. Vincent D'Onofrio's performance even more powerful now, 30 years later. Enormous! The British skies over Vietnam is another reminder than an artist's eye knows no boundaries.

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