Death in Love


Drama / Romance / War

IMDb Rating 5 10 950


Downloaded 18,141 times
April 8, 2019



Adam Brody as Daniel Le Domas
Jacqueline Bisset as Catherine Lelievre
Josh Lucas as Leo Beebe
Morena Baccarin as Gamemaster
720p.BLU 1080p.BLU
705.36 MB
23.976 fps
97 min
P/S N/A / N/A
1.47 GB
23.976 fps
97 min
P/S N/A / N/A

Movie Reviews

Reviewed by freeway-6 3 / 10 / 10

Weird and Wacko

For whatever reason I stuck with this dismal excuse of a film by Boaz Yakim until the bitter orgasmic end. Set sometime in the early nineties from what appeared to be news of the basement bombing at the World Trade Center, we meet the protagonist who for the better part of twenty minutes is either nude, with a nude, masturbating or engaging in rough sex. Considering the fact this film was rated R, you could easily describe the goings on as mildly pornographic. Basically, the story is about a mother, Jacqueline Bisset, a Holocaust survivor thanks to her connection as a girl to a Nazi doctor into human experiments, which are shown in gory detail, her husband and two sons, Josh Lucas and Lukas Haas. The mother is still lusting for the Nazi doctor, her husband is a wimp, her forty year old son is into raunchy sex, and her youngest at thirty-five hasn't had a date since he was in high school. The story jumps back and forth from war past to fifties past to the present. The performances are over the top, with lots of reaction close-ups from each of the major characters, many times either crying or screaming. Mother has a number of liaisons who all turn up dead after her meetings with them courtesy of her doctor friend. Near the end of the film, she leaves her husband alone in their apartment prior to her climatic meeting with her Nazi crush. She deliberately leaves the apartment door ajar and we see the evil doc enter the building. Later her youngest shows up with his smashed hand and no one is at home. We never find out what happened to her husband, but suffice it to say, she probably will be attending another funeral prior to living happily ever after with you know who. Death in Love is one very strangely weird film.

Reviewed by tjohnsn61 3 / 10 / 10

Fantastic script, good video and a philosophical plot - a movie that thinking people will enjoy

Don't let the first few seconds scare you away. After that, the remaining initial nine minutes of dialog in this movie grabbed my attention. As a 49 year old guy, it was like the conversation that I've been holding in my own head was exposed, thoughts that I've never admitted to another human because of my shame, somehow brought out into the public for everyone to hear. Unbelievably honest, real, certainly a glimpse into my very brain with the same rationale and conclusions that I have come to in my own life. If you've lived enough of live, you recognize the maternal instinct of the mother for her disadvantaged son. She protects him, puts up with him and shows a patience that only a guilt laden (whether deservedly so or not) mother will demonstrate. Her description of the call of her jilted boyfriend's parent's call is also not out of the ordinary for some of us. The acting of the disabled son, the emotion, absolutely fantastic and realistic. Unbelievably realistic, like looking into someone's personal life. The movie only gets better. Watch it if you're interested in exploring the shadows of the human condition in an honest, thought provoking manner. Bravo!

Reviewed by Siamois 3 / 10 / 10

Weak and indulgent film-making in all its glory

What happens when the writer of some gems as "The Punisher", "Dirty Dancing: Havana Nights" who also directed crap like "Uptown Girls" decides to write and direct an artsy flick? Death In Love is the answer. This film does not pull any punch when it comes to gruesome and explicit scenes. Writer/director Boaz Yakin had to finance this film all by himself because he had specific things in mind. This would never have been approved by studios and I understand why he got no financial backing. Having a specific vision, refusing to compromise are all laudable as far as I am concerned. It's just that, unfortunately, Yakin's vision seems terribly limited. So are his skills as a storyteller. The founding story arc revolves around a Jewish girl who begins an affair with a doctor overseeing experiments on human in a concentration camp during WWII. Yakin goes all guns blazing trying to showcase the intensity of this relationship and fails spectacularly because there is a total lack of chemistry between the actors and the script is emotionally numb right from the start. She just supposedly falls in love at first sight, with a psycho doctor who looks like an extra in an infomercial. The second story arc (which gets the most screen time) takes place in the present and features this woman again with her husband and two adult sons. All of which seem to be mysteriously as nuts as she is for no reason whatsoever. In between, we get flashbacks from the time her sons were children and how she'd go nuts and scare them, but it's done awkwardly, like what you'd expect in a direct to video "it happened for real" melodrama featuring Melissa Gilbert or some other has-been. The present-day story arc features the most interesting and intriguing scenes. The youngest son (Lukas Haas) is a total waste of screen time as an obnoxious man-child who has various phobias and still live with his parent. But the eldest son (Josh Lucas) gets a lot of screen time. He's almost 40 years old, seemingly jaded about everything. Of lot of his scenes (particularly with his co-worker played by Adam Brody) feature dialogue that, while not amazing, is still better than what the rest of the movie has to offer. There are a few themes displayed but Yakin, in the least subtle way EVER implies a strong connection between pain and sexuality. In fact, so strong that he almost implies one is synonymous with the other. This could be a powerful and interesting theme to explore in a few characters but here, it's just not done well. Every character on screen has intense desire to masturbate, and it seems nobody is able to make love without beating his partner at the same time. It's just... amateurish. The story and characters feel artificial despite all the courageous grit Yakin put in the film. There is also a strong undercurrent of self-loathing in all the main characters. Yakin is Jewish himself and I sensed that he was extremely critical of a segment of people who shun their origins and hate what they are. And I can appreciate his attempt to highlight that. One of the most powerful scene, to me, was a small one where the Jewish girl at the concentration camp (who receives favorable treatment from the doctor, her lover) refuses to give the rest of her meal to a starving Jewish violinist. Instead, she sadistically eats every last crumb, as if she renounced her Jewish heritage and what she really is. All in all, I think Yakin tackled powerful issues in a very confusing way. This feels like a very personal film but unfortunately, the few powerful scenes in there, the great performances by Lucas, Bisset and Haas and the grittiness can't save a weak script and a weak story.

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