Call Me Genius



IMDb Rating 7 10 876


Downloaded 8,383 times
November 2, 2019



Dennis Price as Leonard Pirry
George Sanders as Andrew Lippincott
Jean Marsh as Sewing Girl
Oliver Reed as Mr. Edward Widdlecome
720p.BLU 1080p.BLU
920.76 MB
23.976 fps
105 min
P/S N/A / N/A
1.64 GB
23.976 fps
105 min
P/S N/A / N/A

Movie Reviews

Reviewed by m0rphy 7 / 10 / 10

Hilarious Hancock

I am 57 now and was weaned when I was a lad on the various BBC tv series of "Hancock's Half Hour in the 1950's.I became an addict there and then.In later life I carefully recorded the repeats on my vcr (not invented when I was a lad), and purchased cassettes of Tony's earlier radio shows whenever a new volume was available for sale.I have read his biography (1924 - his suicide in Australia in 1968), so he was only 44 when he died.Forget he had a drink problem and could be violent. Yes, he considered he had outgrown his tv series with Sid James (and Kenneth Williams earlier) and even his later solo "Hancock" tv series from 1959 onwards.As a previous literate reviewer has rightly remarked, he hankered after a wider international audience for his comic abilities and appeared in later films like "Those Magnificent Men in their Flying Machines" even trying his hand in Hollywood with Walt Disney but I consider "The Rebel" from 1961 as his funniest film.It incorporates many characters like the existentialist lady on the big screen who have been heard before, e.g. Fenella Fielding in the radio show "The East Cheam Poetry Festival" from 1954.John le Mesurier often played "establishment" figures in his half hour shows and was a personal friend and here he plays Hancock's authoritarian boss in the dreary office where we first see him in an almost synchronised early scene where the clerks all do a similar computation function simultaneously.How we office workers with aspirations of individual creativity empathise with him in his rebellious behaviour!! A new "Mrs Cravatte" in the shape of Irene Handle (not Patricia Hayes who was merely a char lady in the tv series), provides a female comic foil as Tony's landlady.It is interesting he retains his real name in this feature film, presumably he considered he could effectivly develop his bohemian character from the tv onto the broader canvas.I revisited this film after 20 years or so and laughed out loud in several places.The point already made that American/overseas viewers may be perplexed with his humour is easy to understand and our current UK generation may be left cold by it.My generation however which was reared on a diet of post war food rationing, spivs, watching wealthy Americans in the media, the McMillan type establishment figures in politics and industry, trends in fashion, pop music etc; can so empathise with his humour.I gave it 7/10.

Reviewed by jago_turner 10 / 10 / 10

Surely the greatest movie ever made

Of course I am aware that huge numbers of people will see this movie as mildly diverting, an interesting off shoot of a TV character, or a strained attempt to translate a mythic television talent to a medium he wasn't suited to. I know some will find the plat slight. Some may enjoy it but simply feel it isn't all that impressive. Well, this is fine. But I believe that The Rebel is quite simply the finest movie ever made, and I've seen a lot of movies. What is so great about it ? The colours. The lush score moving from the comic to the romantic with ease. The array of great comic performances. The script which ranges from the profoundly comic to the comically profound. The struggle of the individual to express his individuality in a world that prefers conformity has been the subject of countless numbers of films. The Rebel is the only film I can think of to mock this tradition while also celebrating it. The character of Hancock drifts between lies and truth while carving out a reputation for himself among the Parisian avant garde. His never reflects on his complete lack of noticeable talent and inability to dedicate himself to the craft but instead creates something of a stir with his infantilism. His bluster is only ever a whisker away from the despair he shows on his opening train journey. Comedies are often treated as somehow inferior to dramas. It's much more important to treat human suffering with a straight face than take life for the comedy it undoubtably is. Hancock's suffering may not on the face of it seem important or noble, but it is the despair of the insignificant man who wants to be outside of the machine, wants to be important and creative. But despite dealing with this theme the comedy never drifts into pathos. Hancock covers the sadnesses with a jaunty self involvement in which he can place himself securely among the great artists whose every brush stroke is torn from their body. The satire on modern art may seem a bit obvious but it is never played on for serious effect. The sideline characters are all magnificent from John Le Mesurier as Hancock's completely unimaginative boss, through Irene Handl on top form as Mrs Cravat who regards all Hancock's efforts as a load of miscellaneous rubbish, to Dennis Price's Jim Smith, eccentric French millionaire. "Jim Smith ?" "Oh. You're surprised. I always feel an English name sounds so much more mysterious." "Oh yes. I knew a Bert Higgins and a Harry Trubshaw once. They were dead mysterious they were." But it's not just the plotting, the comedy, the acting, and the dialogue that strike me as perfection. The design of the movie. The contrasting of Parisian styles with the bowler hat and umbrellas of Waterloo Bridge. The interior of Paul Ashby's room. The paintings themselves. All these elements compound the sense of joy that watching this film brings. And for those who watch this film and think that I am talking nonsense. All I can do is to re-iterate Hancock's cry to the elite of the art scene "You're all raving mad. None of you know what you're looking at. You wait til I'm dead. You'll see I was right."

Reviewed by andy-782 10 / 10 / 10

Brilliant Stuff

This superb film features Tony Hancock quitting his boring office job for the artist's life in Paris. Despite the fact that he can't paint or sculpt (his 'Aphrodite At The Waterhole' is excrutiatingly awful) he thinks he is a genius and soon gets a reputation as such. He wins fame and fortune with the paintings of Paul Massie who had given up art and moved back to England for a boring office job. The early part of the film features a cameo by Oliver Reed as one of a group of artists arguing drunkenly about what is art in a Parisien cafe. The script was written by Galton & Simpson and draws heavily on some of the excellent Hancock's Half Hour radio series (particularly the Poetry Society) which they wrote. Irene Handl is superb as Mrs Crevatte, Hancock's London landlady (also Paul's when he leaves Paris) and the film is full of some of the best British actors of the day (George Sanders, Peter Bull, John Le Mesurier, Dennis Price etc.). This is one film I was itching to see come out on DVD and it has, paired with The Punch & Judy Man. Wonderful stuff indeed.

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